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A few subversive things…

I haven’t posted in a while, and I can blame that on a number of things – illness, marking, administration, family – but  the bulk of most of my ‘free time’ has been devoted to writing (the fact that writing is now something done in our free time is I think, rather sad). The book is well on the way, and there’s a few papers forthcoming on the subject of cultural quarters and Tactical Urbanism. I’ve also been reading Bradley Garrett‘s book Explore Everything: Place-Hacking the City, which I had the pleasure to review for the Antipode Foundation.

Also, I have been aiding the Long Live SouthBank (LLSB) campaign which is calling for the preservation of the undercroft skate park in the face of demolition as part of the South Bank Centre’s Festival Wing plans. LLSB made a video ‘The Bigger Picture’  (embedded below) which puts the campaign in the wider context of the contemporary nature of urban development. I had the pleasure of being interviewed for the video, but more importantly, it gives a balanced and objective account what’s going on with these plans (and there is also a very revealing video on how the South Bank are committing ‘cultural vandalism’ here). If you feel compelled to sign the petition, then please do so now, the deadline is the 3rd January 2014 and we need as many signatures as possible by then.


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Zombie Films and the Urban Condition

The rampaging hoards of urban development?

Recently, I was involved in a Twitter conversation with Allan Watson (and others) on a recent debate he had in his class about a zombie invasion, and whether it would be better for survival to live in a sprawling city or a dense urban centre (and what a great way to engender such a debate by the way!) I then took to Google to find this article, about a concerned citizen of Edmonton in Canada, who has argued that a dense urban centre would be easier to defend against a rampaging horde of brain-munching zombies than a sprawling megalopolis. Zombies love sprawl, apparently. As well as being a brilliant way to engage students about urban geography, I want to consider three of the more famous zombie films that take place in urban areas, and see what conclusions about sprawl versus density (and indeed, the broader urban condition under late capitalism) can drawn from them. So here goes… Continue reading


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Am I a gentrifier?

I’ve recently moved. I moved from a small flat to a house to accommodate a growing family, but in order to afford to do so, we had to move out of the area we were in, to a smaller town/village nearby that has a large traveller community, a significant Nepalese diaspora and soon to be homeless service men and women once the neighbouring barracks are torn down and replaced with mock town housing. As an urban geographer I’d like to think that I’m aware of some of the nuances of urban processes including gentrification, and as such, I was acutely aware that, as a middle class, white collar academic from the heartland of Surrey, I was potentially a gentrifier of the area. In upsizing for a growing family, my situation is typical of a myriad of academics who find themselves looking for alternative accommodation on an (often) meagre income, and as a result, looking in more diverse areas of ethnic communities and/or lower social-economic class.

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Time Lapse Urbanism

It seems a day does not pass without a new professional time lapse film of a city landing in my Google Rea…, Feedly or twitter stream. They all seem to follow a similar pattern; they’re shot at night and from an elevated position perhaps with a slow pan; they contain a collection of shooting angles that span highways, bridges or capture the throng of a pedestrian-heavy zone; some will have the seemingly ubiquitous (and simply annoying) tilt-shift effect (which seems to make everything look miniature) perhaps added to increase the visual metaphor of the ‘God’s eye view’ of the city engendered by such films (a good list of the best ones can be found here). Some of my particular favourites are from Dubai, Sydney, Melbourne, Quito and this rather Miévillian offering of New York. Time lapse films represent the vibrancy, complexity and gleaming aesthetics of urban life, or at least a particular kind of urban life. For me though, the increasing proliferation and professionalisation of these films is an interesting trend because it could be seen to represent a number of cross-cutting contexts and themes that have been debated in contemporary urban geography discourse of late, but also, the time lapse video could be viewed as part of urban entrepreneurial strategy.  Continue reading


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Blade Runner Review

Just a quick post to point you toward my review of Ridley Scott’s masterpiece Blade Runner over on That Film Guy. I’ve been using that site to vent my film fanboy amateurish tirades and this certainly falls into that category. Hopefully, now that the marking has died down, I’ll be able to get a few more reviews on there so keep your eyes peeled – and those Royal Holloway students taking GG2061 next year might also want to pay extra attention…


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Terminator Tour, Los Angeles

Los Angeles is one of the most written about cities in the world, particularly from an urban geography perspective. Perhaps because of its magnificent sprawl, its constant mediation through film, television, music and other cultural artefacts, or its postmodern-inflected anti-liveable layout, no other city in the popular consciousness has such an imaginary that combines enigma, fascination, frustration, confusion and awe all at once (although I suspect that Shanghai, Mexico City and perhaps Johannesburg are giving it a run for its money). One of the major reasons for my fascination with it is the way it has been so scrutinised through film. Masterpieces such as Pulp Fiction, Timecode and Collateral portray the de-centred, fragmented, multiple, nonlinear and alienating characteristics of the city fascinatingly. However, for me the Terminator films (and here I refer to the first two, not the bilious and soul-destroying detritus of Terminator 3 and Terminator Salvation) put Los Angeles firmly in my minds eye as a city of fascination and wonder. The films themselves do not necessarily have a narrative that ‘gets’ LA’s character, but Cameron has utilised the cityscape as a platform for thrilling action and compelling story-telling perfectly. Continue reading


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Save the South Bank’s Undercroft

The Subversive Beauty of the Undercroft

The Subversive Beauty of the Undercroft

On the 6th March this year, I tweeted about plans to redevelop the South Bank in London. The following day, the full extent of these plans were detailed. The new ‘Festival Wing‘ development includes “the under-used spaces from the undercrofts” being turned into retail outlets, and the creation of a “new riverside area for urban arts”. This translates as the reconfiguring of the iconic skateboarders ‘mecca’ (known simply as the ‘undercroft’) into a row of shops, as it is a key site of entry into the new Festival Wing. Moreover, the plan is to create a new site in which the skateboarders and graffiti artists can go, situated a few hundred metres further west, under the Hungerford Bridge (more details here).

For me, this exemplifies many of the problems associated with current urban redevelopment policies. Not only is it a case of a consumerism that is predicated upon a rarified notion of urban culture trumping a subcultural community, but the notion that the skaters (and associated activities) can be ‘rehoused’ in a designated area shows a complete lack of understanding of how such activities work, and what they can bring to a city’s cultural offerings. There are many (inter-connected) reasons why I am in such staunch opposition to this particular part of the development, but for the sake of clarity, I have delineated them into 3 key points…
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