The art market has always faced accusations of being over-inflated and reducing the subversive, political, ethical and perhaps spiritual potency of art in favour of pure profit. Banksy’s ‘Girl With Balloon’ piece pictured above – where a stunt to shred an artwork didn’t go to plan and as a result, actually increased the value of the artwork – is testament to just how divorced artistic and monetary value are from each other. The mechanisms of capitalism in the twenty-first century, i.e. of the intense and deepening financialisation of everything from housing to education, has seen art become an exchange currency that is of more value squirreled away in freeports than on display in the Louvre.
But with the advent of so-called Non-Fungible Tokens (or NFTs), the financialisation of art will obliterate any remaining integrity from artistic endeavour. In the same way that the price paid for Banksy’s failed prank has nothing to do with the politics of the piece, the eye-wateringly high prices being paid for digital art are nothing to do with the appeal of the piece, but because of the infallible copyright accuracy of the blockchain. NFTs essentially do away with the ambiguity of ownership and authenticity and a provide a digitally-encoded and incorruptible proof of ownership. In essence then, all NFTs do is ramp up the privatisation of art; a process that began with patronage, and won’t end until any semblance of social or political utility has been completely removed from the artistic process.
Jurassic World is a film about dinosaurs isn’t it? Well yes and no. Like all good films, the subtexts run rather differently to what we actually see on screen. So while we see giant dinosaurs taking chunks out of each other, we’re also witnessing a rather subtle commentary on social relations, and how this is mediated by technology. More specifically, the film reads (for me at least) as a rather stark allegory of the way in which personalised technology (smart phones, wearable tech etc.) is eroding the ways in which we relate to each other as a society. Allow me to explain. And yes, there will be spoilers. Read More
The intensification of technology is a process that we can no longer ignore. Stephen Hawking recently said Artificial Intelligence could end mankind, televisions are spying on us, Hollywood blockbusters warn of dystopic futures. These ‘big’ ideas about technology are critical to the debate about what it means to be human and have been raging for sometime, but on a more societal, everyday level, our human interactions are evermore being replaced by technological ones. Buying food from a machine, talking to computers on the phone, automated passport controls, searching for friends and soul mates online, sharing a joke with your smart phone’s operating system, checking into hotels via a smart phone – there is a layer of technology that is replacing our everyday connections with the people around us, a layer that is becoming increasingly invisible but all-encompassing.
In light of this, I’m embarking upon quite an ambitious project. It’s a bit experimental, but something I think hugely worthwhile. Essentially, I aim to conduct three social scientific experiments or ‘challenges’ that will test just how far I can go by living solely via technological interfaces. I want to make a documentary film (and write an accompanying book) that explores how technology is making our economic and social interactions more efficient, but also how they are making us interact less with humans for our everyday needs. This has all manner of societal implications about sociality, family life, loneliness, technological politics, workers rights and a host of many other crucial debates.
So I have created a Kickstarter page to try and raise the funds needed to conduct the project. Please consider contributing, because I believe that such a project has the potential to have a vast impact academically, politically and culturally. Please feel free to email me (email@example.com) or tweet me for more information.