With 2016 finally behind us, many of the New Year’s resolutions have been to roll up our sleeves and get to work protesting the perceived injustices of more intense neoliberalism, creeping fascism, growing wealth and income inequalities, and further environmental degradation. Resistance to these large-scale ideological movements is in many, many forms; for example taking to the streets post-Trump’s election, the massive demonstrations in Seoul, industrial action from junior doctors and other public sector workers, organised campaigns such as Black Lives Matter, and a multitude of anti-gentrification campaigns; and these are just the few that have held my attention over the last 12 months or so – there are many, many more. Continue reading
Organiser: Oli Mould (Royal Holloway, University of London)
The twenty-first century has been dominated by increasing ideological conflict. This has often manifested in ever-increasing political contestations, urban conflicts, religious fundamentalism, social polarisation and cultural marginalisation. The rise of far right and left political parties, the Arab Spring and the global Occupy movement, unfettered expansion of neoliberal philosophies, religious extremism, increasing wealth inequalities, homelessness; the symptoms of a multiplication in differing philosophical and ideological tendencies, all rubbing against each other within the every day.
Many of these phenomena are characterised by an articulation of rage.
For the first term of 2016/7, I will be convening an Activist Geographies Reading Group (AGRG) for undergraduates studying at Royal Holloway’s Geography Department – information re dates on the poster below.
Numbers are strictly limited, so if you want to come, I will be giving preference to students who can make ALL 4 sessions and who can demonstrate that they are invested in activism and activist scholarship more broadly. Do email me (or tweet me @olimould) if you want to know more.
Having been CEO of London plc. for 5 years now, Stuart Gulliver can step down from the role knowing that he will go into the history books as perhaps the greatest businessman of all time. London wasn’t even a company when he took over, and today in 2026, it is has a bigger turnover than any of the tech giants of the West Coast Division of Trumpland, and employs more people than the recently floated NHS. Reluctantly taking the role in July 2021 after the now infamous ‘Londexit’ vote, Mr. Gulliver was the obvious choice having been the CEO of London’s biggest financial institution HSBC for some 10 years previously. Continue reading
Were it not for the freezing winds, driving rain and half a foot of mud underfoot, walking around the Jungle camp in Calais could be mistaken for Dharavi or Kibera. The makeshift shelters of wood and tarpaulin, the improvised roads, open sewers and stench of human waste; there are many ugly ways in which the Jungle compares to the slums of the Global South. But also, there are thriving businesses, social services, educational programs and human creativity on full show; there are many positive ways the Jungle compares. And like the slums of Mumbai, Nairobi or other megacities of Global South, the Jungle is a product of the inequalities radiating from the nearby metropolis. But in this case, that metropolis is London. Continue reading
Last night I had the privilege of watching Die Hard on the big screen at the Filmopolis Christmas Party. A great night, with an even greater film. Die Hard is one of those films that you can watch repeatedly, and rarely strays from perfection. Despite containing now tired Hollywood clichés, it has aged remarkably well, and is now considered the quintessential Christmas film (on which I noticed last night the falling paper at the end of the film beautifully analogous to snowfall; hence the ‘Let it Snow’ song at the end). In watching the film, particularly the “TV Dinner” bit, I was reminded of a 2010 blog post by Geoff Manaugh (on the brilliant bldgblog) about the relational architecture of the film. The post itself spoke to many of themes I explored when I was working on the geographies of parkour, and is still a wonderful take on the how the film Die Hard espouses the malleability of how we use architecture. But 5 years on from that post, and having now seen the film countless times since, there are many other ways in which the film can be utilised to explore architectural and material geographies (yes, there will be spoliers). Continue reading
Cities, on the surface at least, seem stable. The imposing physical materiality of concrete, steel and glass projects an endurance that is ‘built to last‘. Yet decades of urban critique have elucidated the fluidity of cities. From Walter Benjamin’s Arcades, through Cedric Price’s Fun Palace to Nigel Coates’ Ecstacity, people have been envisioning cities that are mobile, mutable and malleable. These concepts of literature, art and architecture articulate cities that are far from static; they are fluid assemblages that wax and wane in response to cultural representations, economic global processes and social practices. And one only has to take a short walk through seemingly any city today before they encounter some construction or development of some kind. This affirms that the urban landscape is constantly changing in response to development pressures, policy tweaks and financial speculation. The ‘stability’ of cities is hence only an illusion; there is far more than meets the eye… Continue reading