Newcastle was once touted as the ‘Brasilia of the North‘ by an ambitious town planner, T. Dan Smith. That was back in the 1960s when cities were seen as plastic crucibles to mould into concrete utopias, but half a century (and a corruption conviction again the Labour City Councillor that meant prison time) later, Newcastle’s concrete utopia has gone the way of many others; a neglected enclave of dereliction, crime and underuse. It is only the famous ‘skywalks’ – and derelict modernist surrounding landscape – that’s left. So when I visited the city, of course it was number 1 on my list of things to see.Read More
What does it mean to do autoethnography? What even is it? To the critics, autoethnography is rather disparagingly labelled ‘mesearch‘ and a form of personal story-telling that is far too narcissistic to be considered proper research. However, such a view tends to resolutely align traditional scientific objectivity with truth, and so personal accounts become far too unscientific to be able to produce generalisable results. But it is painfully obvious by now, that the truth has a rather variegated existence these days.
Many urban cultural geographers (and indeed, those beyond the discipline) will utilise autoethnography in their own research: some of the most compelling (albeit not entirely unproblematic) research monographs of late have been autoethnographical; Alice Goffman’s ‘On the Run’ and Bradley Garrett’s Explore Everything come to mind. But we also teach it. Students are extremely receptive to it as a method, and not just because it can avoid anxiety-producing encounters with strangers in the field. I find that those students willing to embrace it properly will wield it as a potent critical weapon against the stifling striation of the contemporary city. Yet despite our best efforts in the classroom beforehand, there is always some confusion as to what constitutes autoethnography as a methodological perspective in the field. Read More
As I’m currently finishing off my first monograph, it’s customary of course to (re)read some of the great texts that formulated the ideas of the book in the first place. So I thought I’d start a blog series that block quoted some of the prose that has inspired/is inspiring the book writing. They won’t be in the final edit, but are worthy of note given their foundational status to the ideas of the book. So to start off, a piece from De Certeau’s classic, Walking in the City (the full pdf of which can be found here):
“It is true that the operations of walking on can be traced on city maps in such a way as to transcribe their paths (here well-trodden, there very faint) and their trajectories (going this way and that). But these thick or thin curves only refer, like words, to the absence of what has passed by. Surveys of routes miss what was: the act of passing by. The operation of walking, ‘wandering or window shopping’, that is, the activity of the passer-by, is transformed into points that draw a totalizing and reversible line on a map. They allow us to grasp only a relic set in the nowhen of a surface of projection. Itself visible, it has the effect of making invisible the operation that made it possible. These fixations constitute procedures for forgetting. The trace left behind is substituted for the practice. It exhibits the (voracious) property that the geographical system has of being able to transform action into legibility, but in doing so, it causes a way of being in the world to be forgotten”. (De Certeau 1984: 161).