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Walking Heathrow: Exploring the fissures of infrastructure

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Landscape Surgery

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As I’m sat in my car, parked in the Hatton Cross Station Car Park, I watch as the dark blue hue of the cold November morning sky slowly turns to a light grey, as the sun struggles to pierce the thick blanket of cloud above. Planes rumble up the runway, the end of which is about 100m in front of me separated by three rows of chain-link, razor-wired fence and a buttress of thick orange scaffolding supporting runway lights. These slender machines soar over my head, jetting off into the turning sky, roaring their ascent to the awakening population beneath them. In a few minutes, I was due to meet a traveller from New York. He had a 6-hour lay over and wanted to walk the perimeter fence of Heathrow, roughly 13 miles or so. The banality of such an undertaking bemused many when I told them I was doing…

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Happy 8th Birthday!

Today is the 8th birthday of this blog. My blogging style and content has changed substantially in those 8 years (as you can tell from my first ever post) although, I’d like to think you can see the critical human geographer scratching at the surface in those words. Below is a word cloud of all my posts, which for me at least, shows that urban life, creativity and of course film have always been at the forefront of my work. Anyway, thought that a quick bit of nostalgia would  be a nice deviation from today’s more pressing political issue. As you were…Screen Shot 2016-06-23 at 09.26.57


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The Dystopia of Sodor: Thomas the Tank Engine and Neoliberalism

Landscape Surgery

Thomas - the perfect neoliberal subject Thomas – the perfect neoliberal subject

Thomas the Tank Engine, the popular children’s book and TV series, has been with us for 70 years, and still captures the imagination of children around the world. As a father of two rapidly growing-up children, trains seem to have some sort of mystic fascination with the preschool demographic. So it is no surprise that Thomas the Tank Engine is one of the world’s most recognised toy brands.

Thomas lives on the Island of Sodor, a mythical, small countryside island in the Irish Sea, just off the coast from Barrow-in-Furness. The trains are colourful, largely happy and busy, while the people go about normal lives in school, on the farm or on the railways. The trouble is, though, this surface-level utopian English-countryside-mid-twentieth-century idyll belies a far more sinister neoliberal allegory that pervades the daily minutiae of Thomas and his friends. The more of Thomas…

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Being Human // Human Being – Ex Machina

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Join us for an event which seeks to explore what it means to be human, or simply alive, in a world in which the digitally processed virtual is increasingly experienced in the actualities of everyday life.

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Curated and hosted by digital geographies PhD students Mike Duggan and Pip Thornton, and featuring Alex Garland’s sci-fi thriller EX MACHINA (2015), the event aims to question binary definitions of virtual/real, nature/culture and human/non-human, engaging with critical debates around artificial intelligence (AI), law & ethics, gender, techno-capitalism and virtual geographies, while challenging the representations of these subjects in the film and other media.

Ex-Machina Trailer

The event will include short talks and a panel discussion involving Dr. John Danaher, lecturer in Law at the National University of Ireland, Galway and author of the blog Philosophical Disquisitions, Lee MacKinnon, lecturer in the Theory and History of Photography at Arts University Bournemouth, whose book chapter…

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Upcoming Event: Passenger Films and Precarious Geographies present “Nightcrawler”

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Join us on Tuesday 19th of January for a screening and exploration of Dan Gilroy’s fascinating film ‘Nightcrawler’ presented by Passengerfilms in collaboration with ‘Precarious Geographies’ and Genesis Cinema.

Precarious Geographies and Passenger Films Present Nightcrawler Poster -page-001

Set in the hyper-precarious world of contemporary LA, Nightcrawler is a disturbing critique of the neoliberal urban condition. Its protagonist, Lou Bloom, is a young man frustrated by an impenetrable labour market in which even unpaid internships are inaccessible. Bloom embarks on a mission to make his own fortunes by forging a career in crime journalism. Lou’s willingness to cross boundaries others won’t in order to get the goriest footage means his career rapidly gains momentum. His merciless pursuit of uncomprehendingly brutal footage is met by both horror and admiration by TV stations. But this is not just a film about a sinister individual; Lou’s prioritisation of ambition and commercial success at the expense of compassion and humanity…

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Subverting the aesthetics of decay

Landscape Surgery

The aesthetics of decay have been well versed of late, not only within academic literature, but also mainstream media and online via blogs and other social media. We have seen an aquarium in an abandoned shopping mall in Bangkokentire disused airports in Cyprus and an whole abandoned island used in Hollywood blockbusters. Industrial, residential, infrastructural, rural; there have been a plethora of forms of dereliction that have been recorded. The huge swath of media (sometimes labelled ‘ruin porn’) has led to the fetishization of dereliction with some suggesting that such overt ruination imagery has had damaging effects on particular places that are oft the focus of such narratives, notably Detroit.

DSCF5059 Nature reclaiming her land

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Recently, I was lucky enough to spend some time in the Shropshire and Cheshire countryside, and came across what on first viewing looked like an abandoned…

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The Las Vegas Affect

Landscape Surgery

There has been a great deal of scorn poured on Las Vegas from the academy. From its low creative city ranking, its over-reliance on too narrow an industry base and its crippling ecological effects, Sin City has been attacked by urban, economic and environment geographers respectively. Baudrillard (1994: 91) has been equally as disparaging stating that the ‘liquidation’ of the mediated advertising architecture, and the “reabsorption of everything into the surface (whatever signs circulate there)… plunges us into this stupefied, hyperreal euphoria that we would not exchange for anything else, and that is the empty and inescapable form of seduction”. The city that seems to represent nothing but a simulacrum of itself and is awash with rampant hawkish capitalism, is designed in toto to rid you of as much financial, social and personal capital as is possible.

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