It seems a day does not pass without a new professional time lapse film of a city landing in my Google Rea…, Feedly or twitter stream. They all seem to follow a similar pattern; they’re shot at night and from an elevated position perhaps with a slow pan; they contain a collection of shooting angles that span highways, bridges or capture the throng of a pedestrian-heavy zone; some will have the seemingly ubiquitous (and simply annoying) tilt-shift effect (which seems to make everything look miniature) perhaps added to increase the visual metaphor of the ‘God’s eye view’ of the city engendered by such films (a good list of the best ones can be found here). Some of my particular favourites are from Dubai, Sydney, Melbourne, Quito and this rather Miévillian offering of New York. Time lapse films represent the vibrancy, complexity and gleaming aesthetics of urban life, or at least a particular kind of urban life. For me though, the increasing proliferation and professionalisation of these films is an interesting trend because it could be seen to represent a number of cross-cutting contexts and themes that have been debated in contemporary urban geography discourse of late, but also, the time lapse video could be viewed as part of urban entrepreneurial strategy. Continue reading
This is a rather self-serving post (so apologies in advance), with a few links to other pieces of work in other more enlightened parts of the internet. I have been concentrating recently on my research into so-called media cities, and how they help, or indeed hinder in the formulation of the illusive ‘creative buzz’ that is so sought after by urban planners. Urban creativity, as we all know though, extends beyond these places into marginalised, subversive, subcultural and informal places, and the ‘creative city’ policy drives around the world need to recognise this – something which I hope, comes out through these articles. Enjoy. Continue reading
Deleuze and Guattari (1987) claimed the city is the striated space par excellence. We are all aware of how urban topographies restrict and contract smooth movement and the chance to drift, and how they direct and enact a routine, a habit, a certain soporificity. The striation is well-entrenched, the city beats with life, and we often hear the city equated to the body. “The heart of the city”, “the veins and arteries of the city” – an apt metaphor for the daily rhythms of urbanity. However, cities negate such a functional and arcane definition. The body works well (most of the time); its systems are efficient, its development is planned, its functioning is central. Cities are none of these things. There exist mutliplicitous powers, confusions, desires, flows, reappropriations, smooth spaces, that lie with striation, as the Lion lies with the Lamb. This mixes, congeals, diffuses and deliquesces people, places and powers into a city without organs, a city with no commensurable life other than that of it’s own.